The distinction between the ‘fabula’ and the ‘syuzhet’ as it applies to storytelling was first made by members of the Russian Formalism school of literary criticism, popular during the 1910s and 1920s. The ‘fabula’ refers to the chronological order in which the events of a story take place: the timeline, in other words. The ‘syuzhet’ refers to the sequence in which the author chooses to relate those events, which we could describe as the storyline or the plot. In the film Citizen Kane, for example, the fabula is the story of Kane’s life, from birth to death. The syuzhet, on the other hand, starts with Kane’s death and continues as the story of a journalist investigating Kane’s life, interspersed with a series of flashbacks. By using this device the screenplay introduces a degree of mystery and tension that would otherwise be absent. Continue reading
Another Roadside Attraction 